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UNION SQUARE: "A MIXTURE OF CHELSEA, LIVERPOOL,
AND PARIS"
-- Robert Louis Stevenson, 1887

The Bank of the Metropolis (left), 31 Union Square West.
The Union Building (right), 33 Union Square West, 1893. |
The unusual collection of first-generation skyscrapers
surrounding Union Square reminds us that New York played an important role in
the development of this new architectural form. Many critics now believe that
Chicago's role in the development of the skyscraper has been overemphasized at
the the expense of New York's, and we in New York can take civic pride in
Henry-Russell Hitchcock's decision that the first two buildings to justify the
name of skyscraper were designed and built in New York in 1873 by George B.
Post and by Richard Morris Hunt. (Both architects, by the way, had offices in
the neighborhood in the 1890s -- post on Union Square in the Century Building,
Hunt on Madison Square in the Metropolitan Life Building.) Those two earliest
skyscrapers, built in lower Manhattan, have been destroyed, but such features
of their design as arcaded windows can be seen in buildings around Union
Square--for example, in R. H. Robertson's Lincoln Building (1885) and William
Hume's Spingler Building (1896). |
Those two earliest skyscrapers, built in lower Manhattan, have
been destroyed, but such features of their design as arcaded windows can be
seen in buildings around Union Square--for example, in R. H. Robertson's
Lincoln Building (1885) and William Hume's Spingler Building (1896).
A
more recent picture of the Bank of the Metropolis (left), 31 Union Square
West. The Union Building (right), 33 Union Square West. |
An early skyscraper which shows the influence of the
American Renaissance sensibility celebrated at the Chicago World's Fair of 1893
is the Bank of the Metropolis, by Bruce Price. Price's designs for houses in
Tuxedo Park were an influence on Frank Lloyd Wright, and his Knickerbocker
Hotel (on Broadway at 42nd Street) and American Surety Building (now the Bank
of Tokyo) still stand. The board of directors of the Bank of the Metropolis
included Tiffany, the founder of Tiffany's, Steinway the piano maker, Sloane of
Sloane's, and Arnold of Arnold Constable, all local businessmen. |
Price, who was the father of Emily Post, once told a reporter,
"If your convictions are strong, they will bring to you a certainty of belief
in the adaptability of a particular thing in a particular style to a particular
size, " thus defining the architectural etiquette at the turn of the century,
an etiquette contrasting with so much contemporary practice, in which the
particular site is often treated as irrelevant.
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The west side of Broadway between 17th and 18th
Streets has changed little since 1911. |
One of the Square's most elaborate cast-iron
facades. Tiffany's, was designed by John Kellum to resemble a Venetian palace.
When it opened (on the southwest corner of 15th Street and Union Square West)
in 1870, the New York Times called it "A Jewel Palace" and described its
elevator as "a dummy engine which hoists goods and people from one floor to
another on a sliding platform." |
Unfortunately, this worldly palace has been modernized and
resurfaced in white brick. |
 A more recent picture of the west side of Broadway.
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